• "As Lisea, mezzo-soprano Mala Weissberg kept the audience at the edge of their seats with crafty, nervous dissembling to avoid exposure—both literally and figuratively ... Resplendent coloratura mezzo-soprano Mala Weissberg’s fluent, articulate technique not only helped Lisea navigate the plot’s daunting twists, but this mezzo-soprano easily won deserved sympathy from the audience."

    —San Diego Story

  • “Mala Weissberg plays an adorable Hänsel, sometimes sweet, sometimes a mischievous swagger. With her rich voice, Mala handles this role with great intelligence.”

    —Revue L’opéra Québec

  • “The young singer has the makings of a professional: to the captivating beauty of the tone, she joins an admirable legato, great musicality, perfect elegance of phrasing and a radiant stage presence.”

    —Revue L’opéra Québec

  • “In the pivotal role of Cortés, Mala Weissberg’s articulate, authoritative mezzo-soprano served the role well...Weissberg proved an excellent choice with her fluent vocal technique and just the right amount of masculine bravado in her characterization the victorious Spaniard.”

    —San Diego Story

  • "The bright clarity of Weissberg’s voice, especially as it ascended into her gleaming upper register, proved a winning asset performing these charming Chaminade songs."

    —San Diego Story

  • "Mala Weissberg, who played Miles, respectively, performed with the required innocence of youth and displayed her vulnerability to the forces of apparitions. Her movements on stage were simple, but very effective."

    — Ludwig Van Toronto

  • “Standout solo (Mala Weissberg) in the final movement was stunning for all her brevity…her youth only served to underline the earnest, vulnerable purpose they embodied, and she did so with deeply moving musical maturity.”

    —The Post and Courier

  • “Mezzo Mala Weissberg gave a lighthearted reading of "Nobles seigneurs, salut!" from Meyerbeer's Les Huguenots. Her fine French was particularly lyrical.”

    —Voce di Meche